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Announcing the Full Lineup for the 31st Edition of the New York African Film Festival, May 8 – May 30

African Film Festival, Inc. (AFF) is thrilled to announce the 31st anniversary of its iconic New York African Film Festival (NYAFF), which runs from May 8 – May 30, 2024.

Once upon a Time There Was PANAF

Liberation Movements and Cultural Representations of African Dreams The Indochina war, which ended in May 1954 with the battle of Dien Bien Phu, began to shake a colonial empire that

Announcing the Full Lineup for the 30th Edition of the New York African Film Festival, May 10 – June 1

African Film Festival, Inc. (AFF) is thrilled to announce the 30th anniversary of its iconic New York African Film Festival (NYAFF), which runs from from May 10-June 1, 2023. Under

#OscarMustFall: On Refusing to Give Power to Unjust Definitions of “Merit”

In March 2015, students across South Africa continued work begun by a generation that sacrificed secondary-school education to fight Apartheid. The Rhodes Must Fall movement galvanized efforts to decolonize curricula.

Commentary – African Diaspora Studies and the Lost Promise of Afrocentrism

“I am an Afrocentric,” Professor Sheila Walker declares in “The Virtues of Positive Ethnocentrism: Some Reflections of an Afrocentric Anthropologist.” For Walker, Afrocentrism is not an exclusionary form of “ethnic

Commentary – Love for My People: Some Reflections on Sheila Walker and Life-Affirming Anthropology

I said I love being Black.I love the color of my skin,it’s the skin that I’m in.I love the texture of my hair,and I rock it everywhere.I said I love

Milestones and Arrows: A Cultural Anthropologist Discovers the Global African Diaspora

The United Nations (UN) declared 2015–2024 the International Decade for People of African Descent with the guiding themes of Recognition, Justice, and Development. Recognition, the theme here, which might be

LAFF, a Success Story

Introduced in Egypt in 1896, cinema rapidly evolved to a thriving industry producing more than 4,000 films to date and becoming a distribution center for American films and, to a

“Inside/Outside” at Café Rose Nicaud and the Cinema of Joseph Gaï Ramaka

Interior↔ExteriorSubjective space, intuitive, ambivalent, willfully partisan.ThenTrace, cross out, trace again.Glimpse a fragmented reading.Trace, cross out, trace again.1Joseph Gaï Ramaka Filmmaker Joseph Gaï Ramaka, who was born in St. Louis, Senegal

African Film Distribution in the United States

INTRODUCTION Distribution remains one of the main challenges facing African cinema. Reaching domestic and international audiences is difficult despite the promise of digital technological innovations over the last fifteen years.

Made to Move

Image above: Wunmi in her Brooklyn studio where she sews costumes for the stage and works on new designs for her Wow Wow fashion line, produced in partnership with artisans

Joseph Gaï Ramaka

The interview that follows with the veteran and noted Senegalese filmmaker Joseph Gaï Ramaka addresses two issues of importance to political film practice. The first concerns the deployment of the

The Sierra Leone-United States Connection

Amended from a speech given by Melbourne Garber, Chairman of the National Organization of Sierra Leoneans in North America and President of the Krio Descendants Union Northeast region, at the

Paulin Soumanou Vieyra (1925 – 1987)

The oldest of eight children, Paulin Soumanou Vieyra was born in Porto Novo, Benin (former Dahomey) on January 30, 1925, His great-grandfather, a Muslim Yoruba, was a member of a

The Sierra Leone CCP Oral History Project Pt. 2

As a part of CCP training, participants receive interviewing instructions and interview various members of Sierra Leone society. As a collection, these interviews provide a diverse overview of various segments

When Film Is a Festival

While millions of Americans experience the rise and fall of summer blockbusters, enthusiastic audiences see radically different movies in jam-packed theaters. I’m not thinking of your local multiplex, where the

My FESPACO Diary: One Filmmaker's Journey to Africa's Oscars

Above Photo: FESPACO Headquarters (Iquo B. Essien) After an October 2014 coup toppled the 27-year presidency of Blaise Compaoré, most thought the Panafrican Film and Television Festival of Ouagadougou (FESPACO)

Selma and the American-ness of the Academy

Last week, I attended a screening of Ava DuVernay’s Selma about Martin Luther King, Jr. and the 1965 voting rights marches of Alabama. Desperate for inspiration, fresh off my second rejection

Camera Q&A: Deborah Perkin on Bastards and Morocco

Deborah Perkin is a British documentary filmmaker based in Wales, and a former-producer for the BBC. It was while working there that Perkin first pitched a story about Morocco’s family

Globalizing African Cinema?

Is it a mere fortuitous coincidence that the last two decades of the twentieth century witnessed the re-emergence of the very same forces and ideologies of expansion, domination and control

A Report on the World Conference Against Racism, Racial Discrimination, Xenophobia and Related Intolerance

The UN World Conference on Race (WCAR) held August 31-September 8 in Durban, South Africa, has been sidelined in the media by occlusive coverage of the September 11th World Trade

The Zanzibar International Film Festival 2002

As locations for a film festival go, it is hard to imagine a better one than  Zanzibar. The name itself conjures up images of the hyper-exotic. And it does not

Sithengi’s fight for supremacy in Africa could cost it its identity

Southern African International Film and Television Market, Sithengi, could lose its identity as it re-brands itself as Cape Town World Cinema Festival. Pundits argue that Sithengi is trying to do too

Colonies, l’Empire des signes

« Colonies, les cicatrices de l’histoire » : la programmation fleuve qui se tient jusqu’au 30 avril Forum des Images ouvre une brèche, loin de toute…cicatrisation. En marge des fictions, pléthoriques mais connues,

Sembène the Ceddo

The Elephant had a toothache, as they would say in the Ivory Coast: the “Father of African film” left us during the night of the 9th of June 2007, aged

African Film Fest Stages a "CRUEL" Quick Hit

The 17th New York African Film Festival got underway again last week with the premiere of a stunning 8-minute satire on revolution and oil seizure titled “Dr. Cruel,” a joint venture

“Why shouldn’t everyone hear?”

Alonzo:…In your documentaries, you have this ability to extract truth from all these personalities and personages, that’s what’s so emblematic of your work. You’re getting these people to open up—how

New Looks: The Rise of African Women Filmmakers

In this article, I draw on my experience not only as a researcher and teacher of African film, but also as an African film programmer and film festival director over

Not Nollywood

Tunde Kelani is a seasoned Nigerian filmmaker wrapping up his sixteenth film, Dazzling Mirage. On the film’s website Mainframe Movies, his production company founded in 1991, promotes this as a “movie and

It All began in Khouribga: the 15th Festival du Cinéma Africain de Khouribga

“An African film is a miracle, like the rain.”– Youssef Ait Hamou “’No wind is favorable to a sailor who does not know what port he is headed for.’”– Seneca,

The Woman in Contemporary African Cinema

“Clearly, African cinema, too, like African political leadership, cannot hope to advance without the presence of women on the scene…. Sembène was considered a significant feminist… But even his films

MIRROR, MIRROR ON THE SCREEN

The car glided to a stop. At least, that was how Dikeogu felt. Entering the lush “gated community,” squinting at what seemed like set-after-set of a very lavish budget Hollywood

African Cuisine…The Abidjan Allocodrome

The night is studded with stars. Not in the sky, but at human height, swinging flimsily. Shadows flicker inside these brief yellow shafts then disappear, blurred by a screen of

Meet the CCP’s 2013 Documentary Film Students!

CCP documentary film instructor Idriss Kpange recently visited the New York offices of African Film Festival, Inc. and left AFF staff a lovely surprise: a video entitled “Meet Our Documentary

The CCP Heads to Historic Bunce Island

Last month, AFF arranged for the Sierra Leone Cultural Conservation Program to take its participants on a field trip to Bunce Island. Located twenty miles from the CCP headquarters in

Coffee / Preto no Branco

After African Independence

Authors: Mark Drury, Samuel Shearer | Contributors: Jill Cole, Andrew Hernann, Ahmed Sharif Malian-French director Daouda Coulibaly begins his short film, Il Était une fois l’indépendance (A History of Independence, 2009),

Film and History in Africa: A Critical Survey of Current Trends and Tendencies

Like other forms of creative expression by Africans, filmmaking constitutes a form of discourse and practice that is not just artistic and cultural, but also intellectual and political. It is

Ghanaian Popular Cinema and the Magic in and of Film

Since the late 1980s, a booming video feature film industry evolved in Ghana. While established filmmakers both within and outside the state-owned Ghana Film Industry Corporation (GFIC) found it extremely

Still, The Fire in the Belly

The meeting has been under way for well over two hours, and the seven participants do not seem exhausted after strings of passionate exchanges. The scene could have been ripped