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Guew Bi: Sabar Dances of Senegal
Forgiveness
Faat Kiné
Dôlé
Cosmic Africa
Bye Bye Brazil
The Light at the End of the Dark Continent
Man may work from sun to sun But woman’s work is never done. -Traditional (origin unknown) Little gems from the Third World float westward once in a while, under- …
Tunde Kelani and his passion for documenting Nigeria’s rich cultural heritage
Tunde Kelani is socialised into a rather unusual flavour of Nigerian culture. Though born in Lagos in the 1940s, at the consummation of the colonial era of Yoruba history, he …
Cinemas of the South
Cinematic production originating in the South is often understood as a cinema of transition. Unique luxury, it takes the time to paint a world that is distant and yet so …
Review of “U-Carmen eKhayelitsha”
When I first saw U-Carmen eKhayelitsha at the 13th New York African Film Festival in April 2006, I was mesmerized. Because the film made such a strong social statement with …
Seventeenth Edition of the New York African Film Festival
The seventeenth edition of the New York African Film Festival is almost over. Opening on April 7 at the Walter Reade Theatre in Lincoln Center, the festival concludes at BAM …
The Role of Music in African Cinema
Even today, an analysis of the complex role of music in film is often forgotten by critics, many of whom remain prostrate before the dictatorship of the image. Yet as …
Bamako
Habanastation
Padrón, Ian
Alex’s Wedding
Gone With the Critique
Can we speak of cinema critique when it comes to the cinemas of Sub-Saharan Africa? This question, asked in such brutal a manner, still remains an enigma in my view. …
Afro@digital
Adanggaman
Rejoice & Shout
McGlynn, Don
“Soldiers of the Rock” Review
Norman Maake’s directorial debut is cinematic/karmic kaleidoscope encompasses a boiling and poignant saga of the fraternity of determination and Shaka Zulu like strength that is the bedrock of a cadre …
Thunder Soul
Landsman, Mark
Night Stop
KVTV Access: 2014 New York African Film Festival
Yes its true, KVTV Access is back! We invaded the 2014 New York African Film Festival and caught up with Kenyan directors Ekwa Msangi and Nick Reding, both of whom had …
Camera Q&A: Deborah Perkin on Bastards and Morocco
Deborah Perkin is a British documentary filmmaker based in Wales, and a former-producer for the BBC. It was while working there that Perkin first pitched a story about Morocco’s family …
Camera Q&A: Kenneth Gyang on Confusion Na Wa
Kenneth Gyang is a Nigerian filmmaker from the city of Jos, where he attended the National Film Institute. In 2012, he made his directorial debut with Blood and Henna, and …
Wooden Hand / Peau de colle
Winter of Discontent
The Promise
The Last Song Before the War
Soko Sonko / The Market King
Director: Ekwa Msangi Countries: Kenya and USA Year: 2014 Running Time: 22 min. Language: KiSwahili and Sheng When her mom gets sick, Kibibi’s dad must take her to the market to get her hair braided before school begins. Soko Sonko is a hilarious, fish-out-of-water roller coaster of a journey …
Something Necessary
Sodiq
Rêve Kakudji
Of Good Report
Director: Countries: Year: Running Time: min. Language: A seemingly broken figure drags itself across an arid landscape. Armed and bloodied he removes what appears to be a pair of human …