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Legends of Madagascar / Malagasy Mankany

Kwaku Ananse

Kuhani

It's Us / Ni Sisi

Half of a Yellow Sun

Grigris

Fuelling Poverty

Felix

Faisal Goes West

Curse of an Addict – Zanzibar

Confusion Na Wa

Columbite Tantalite

Child of the Sun / L'Enfant Du Soleil

Cassa Cassa! Danced Encounters Between Africa and Its Diaspora

Burn It Up Djassa

Beleh

Baudouin Mouanda: Congolese Dreams

Bastards

B for Boy

Aya of Yop City

Angano…Angano, Tales from Madagascar

Aissa's Story

Afronauts

A Lot Like You

Some Thoughts on the film “The Daily Nation”

I thought the film directors did a commendable job in capturing the mood and character of not only life within the Nation Media Group and newspaper industry in Kenya, but

“Yellow Card”

Yellow Card is now developing a life of its’ own and we are encouraging organizations across the continent to take control and run with the project. While this is very

Video Awudjo! Featured Artist, Tunde Kelani, has New Developments after AFF

On Saturday, April 21, 2001, African Film Festival (NYAFF) took on the groundbreaking task of presenting movies from Nigeria and Ghana as part of its Festival schedule. This was the

Women and Cinema at ZIFF

As the fledgling African film industry tries to find its footing, women are emerging as some of its most ardent supporters and stakeholders across the continent. In film, women have

Globalizing African Cinema?

Is it a mere fortuitous coincidence that the last two decades of the twentieth century witnessed the re-emergence of the very same forces and ideologies of expansion, domination and control

A Report on the World Conference Against Racism, Racial Discrimination, Xenophobia and Related Intolerance

The UN World Conference on Race (WCAR) held August 31-September 8 in Durban, South Africa, has been sidelined in the media by occlusive coverage of the September 11th World Trade

The Zanzibar International Film Festival 2002

As locations for a film festival go, it is hard to imagine a better one than  Zanzibar. The name itself conjures up images of the hyper-exotic. And it does not

Interview with Branwen Okpako

Andrew Dosunmu: What do you want people to take out of your themes? And what experience do you want people to get? Branwen Okpako:  Okay, let me not be vain

Sithengi’s fight for supremacy in Africa could cost it its identity

Southern African International Film and Television Market, Sithengi, could lose its identity as it re-brands itself as Cape Town World Cinema Festival. Pundits argue that Sithengi is trying to do too

Colonies, l’Empire des signes

« Colonies, les cicatrices de l’histoire » : la programmation fleuve qui se tient jusqu’au 30 avril Forum des Images ouvre une brèche, loin de toute…cicatrisation. En marge des fictions, pléthoriques mais connues,

Sembène the Ceddo

The Elephant had a toothache, as they would say in the Ivory Coast: the “Father of African film” left us during the night of the 9th of June 2007, aged

14th Annual African Film Festival

Celebrating its 14th year, the New York African Film Festival continues to exemplify the Film Society of Lincoln Center’s commitment to international cinema. Annually, programmer Mahen Bonetti expands perceptions of

African Film Fest Stages a "CRUEL" Quick Hit

The 17th New York African Film Festival got underway again last week with the premiere of a stunning 8-minute satire on revolution and oil seizure titled “Dr. Cruel,” a joint venture

“If there is a secret, it is the love and passion I feel for my profession.”

Interview with Moustapha Alassane (Excerpt) …For me, all the aspects of my work as a creator complement and respond to one another. An independent filmmaker like me, who does not

A Bold Transmission

…Ekwa: I have three female Kenyan filmmakers sitting here, and as far as I’ve heard living outside of the country, all of the headliners have had female names. So are

“Why shouldn’t everyone hear?”

Alonzo:…In your documentaries, you have this ability to extract truth from all these personalities and personages, that’s what’s so emblematic of your work. You’re getting these people to open up—how