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Adepeju, Tomisin

Films Shown in AFF, Inc. Programs:  The Good Son (2018)

Edeh, Gladys

Films Shown in AFF, Inc. Programs:  Mr. Gele: The Man. The Story. The Craft. (2018, 2019)

Akhamie, Abbesi

Ibrahim, Idil

Films Shown in AFF, Inc. Programs:   Sega (2018, 2020)

Obasi, C.J.

Diop, Mamedjarra

Films Shown in AFF, Inc. Programs:  Larabilaran: Le Talibé et moi (2018)

McGinnis, Jamil

Films Shown in AFF, Inc. Programs:  word: collected poetry (2018)

Kapadia, Yusuf

Films Shown in AFF, Inc. Programs:Mamadou Warma: Deliveryman (2018)

Drame, Djibril

Films Shown in AFF, Inc. Programs:  Larabilaran: Le Talibé et moi (2018)

Brown-Cepeda, Djali

A pesar de su ausencia (2018)Cuentos (2019)

Naylor, Tim

Kidane, Sewra

Films Shown in AFF, Inc. Programs:   Proclamation Punctuation (2018)  

Birth of Afrobeat

Borders

Wallay

The Fruitless Tree + dancedance / REVOLUTION

Borders + Visions at Berkeley Art Museum & Pacific Film Archive

Wallay + Birth of Afrobeat

Ouaga Girls + Mr. Gele

Sofia with Uptown Flicks

In-School Program with Project Rousseau

Too Black to be French?

Take Light at Doc Fortnight 2019

Black History Month Program: The Burial of Kojo

African Film Series

2019 Festival

10-Week Filmmaking Workshop with East Harlem School

10-Week Filmmaking Workshop with East Harlem School – Recap

As part of AFF’s ongoing filmmaking workshop program, filmmaker and screenwriter Ekwa Msangi led a 10-week course, in October – December 2018, at East Harlem School at Exodus House. During

23rd National Traveling Series

Lamin, Muhannad

Films Shown in AFF, Inc. Programs: 80 (2017)

Mostra de Cinemas Africanos 2018

Mostra de Cinemas Africanos 2018

Robillard, Guillaume

Films Shown in AFF, Inc. Programs:  Poétique du Divers (2018) Filmography:Poétique du Divers (2016)

Babalola, Oluwaseun

Films Shown in AFF, Inc. Programs:   Ṣoju ( 2017, 2018, 2019, 2020)

Purple Dreams

In-School Program

11th Annual Family Day Celebration

Joseph Gaï Ramaka

The interview that follows with the veteran and noted Senegalese filmmaker Joseph Gaï Ramaka addresses two issues of importance to political film practice. The first concerns the deployment of the

Sofia

Benm’Barek-Aloïsi, Meryem