As we begin the twenty-first century, we are witnessing a great revolution in media and communication capabilities that is drastically reducing the distances between cultures. Images, sounds, and ideas are being exchanged almost instantaneously around the world, creating dynamic hybrid cultures. As Western consumer culture has infiltrated the globe, it has, in turn, been invigorated by the different sensibilities, traditions, and styles of other cultures. Likewise, African film was evolved from its early exploration of colonialism and the conflict between tradition and modernity into a new diasporic and international consciousness.

In May 2000, the New York African Film Festival (AFF) headed by Mahen Bonetti and the Film Society of Lincoln Center will proudly present the best new work by emerging African directors living in the European and American diaspora. Spanning many genres, these provocative films aim to reinterpret Africa’s place in the modern world and explore issues relevant to a broad international audience.

In addition to the celebration of African diaspora filmmakers, this year’s festival will also feature a centerpiece titled “African Women in the Media—from Griot to Filmmaker”. While there have been few women able to overcome the many obstacles of filmmaking in Africa, they have provided a much-needed female perspective on the changing roles of women in African society. For Africa to reach its full potential in the future it must acknowledge the importance of women’s contributions and capabilities. This program of films by and about African women charts the vibrant tradition of female storytelling as it has evolved towards modern forms and celebrates the beauty and strength of African women’s voices.

As we utilize the dawning of the new millennium to take stock of the difficult transitions made by Africa in the past century, AFF feels the need to commemorate the passing of one of African cinema’s greatest pioneers, Djibril Diop Mambéty. Since 1973, his work has consistently expanded the boundaries of film style and provided precious insights into the development of modern Africa. In addition to showing his previously-screened classics such as Touki Bouki, Hyenas, and Le Franc, AFF is proud to present The Little Girl who Sold the Sun, the last film completed before untimely death in 1998. New York audiences should not miss this rare opportunity to see this stunning film on the large screen.

In addition to these special programs, the sixth installation of the New York African Film Festival will, as always, be premiering a selection of the latest African fiction features and documentaries. This year’s festival is the most ambitious yet, and for the first time since its inception the AFF has pooled together the talents of high profile professionals encompassing the industries of music fashion, art, film, and entertainment to create a truly exciting cultural celebration that will appeal to audiences of diverse ages and eclectic tastes.

This program was organized by Richard Peña, Mona Smith, and the African Film Festival, Inc. (Mahen Bonetti, Prerana Reddy, Brigitte Houngbedji, Don Webster, Jodie Bass, Maguette Ndiaye.) Thanks are due to Tunde Giwa, Hilary Ney, Mamadou Niang, Manthia Diawara, Luca Bonetti, M.C. Stephens, Kevin Duggan, Devora Avikzer-Foravi, Maureen Slattery, Sharan Sklar, SBM PR, MGP & Associates PR.