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2009 Festival

“The African Slave Trades: Across the Indian Ocean”

The Arab world’s lost memory of African enslavement dominated the panel discussions that followed the screening of The African Slave Trades: Across the Indian Ocean. The film’s narrator, Nigerian writer

Expanding Artistic Horizons

The tall sentry at Paris’s Branly Museum greeted me with its left arm stretched above its head, palm forward, breasts sagging. Its neatly bearded regal face was cut with minute

13th National Traveling Series

Sembene Remembered

On Tuesday, May 27, 2008, AFF co-produced a very special evening at the French institute Alliance Français, titled “Homage To Ousmane Sembène.” The evening began with a screening of a

2008 Festival

2008 Statement

The 15th New York African Film Festival takes cinema from all genres throughout Africa and the African Diaspora to weave a story of the present— reaching backward into time and

Cinema

Soon after its invention in France in 1895, cinema came to Africa. Over the next century, its development was shaped by European colonialism and its postcolonial aftermath. By 2005, however,

The Rwandan Holocaust On Film

“Let me try and describe Kigali on April 1994,” Nick Hughes, a documentary cameraman with Vivid Features told and attentive audience in Harvard. “A convoy of Belgium paratroopers was going

Nha Fala (My Voice)

12th National Traveling Series

2007 Festival

2007 Statement

Celebrating 50 Years of Independence and Cinema Expanding upon the 2007 Festival themes, this discussion with African filmmakers, scholars and artists will look closely at selected films that reveal the

11th National Traveling Series

AFF 2006 Outdoor Series

Hello, it’s me again, the African Film Addict, and I am still addicted. However, this year, I gave up the summer to work on improving myself professionally (whatever that means).

2006 Statement

The African Film Festival, Inc., (AFF) celebrates the 13th edition of the New York African Rim Festival in 2006. For over a decade, AFF has used cinema as a tool

2006 Festival

We are doing worse than Hollywood

Steve Ayorinde: Thank you for the opportunity to speak with you. The name of Kwaw Ansah is to a large extent one of the most significant of African cinema. As

Filmmaking can show the way

Bartlet: Ten years have gone since Waati, your last big movie. What are your perspectives for filmmaking today in 2005? Cissé: Filmmaking with a big F is taking a break,

10th National Traveling Series

Ousmane Sembène’s London Season

Offerring its highest honour on Ousmane Sembene last month, the British Film Institute (bfi) said the 82-year-old is “the Patron Saint of Black Cinema – to call him a director

We the Living

South African theater, jazz, video and commercial film director Ian Gabriel’s first feature, Forgiveness, offers a sensitive probing of the realities of Apartheid and its human toll and legacy. One of twenty-four

Interview with Jean-Marie Teno

Born in 1954, in Famleng, Cameroon, Jean-Marie Tenostudied communication at the University of Valenciennes.  Since graduating in 1984 with a degree in filmmaking, he has been living and working in

55th Berlin Film Festival Focuses on Africa

The 55th edition of the Berlin International Film Festival was special to me in the sense that it not only focused on Africa and an African film won the Golden

2005 Festival

2005 Statement

The twelfth edition of the New York African Film Festival will showcase 24 films from 12 countries, including a number whose national cinema are mostly unknown to US audiences, such

News Clipping: 2005

Screenings of the AFF Traveling Series at the Museum of Fine Arts in Houston coincide with a major exhibition entitled African Art Now: Masterpieces from the Jean Pigozzi Collection. The

Max and Mona

Max and Mona is a post-apartheid South African comedy. Set in and around the country’s industrial capital Johannesburg, it revolves around young Max Bua (Mpho Lovingo) the village mourner of

The 2004 Dhow Awards

The competition for the Dhow awards was stiff and it captured the mood and spirit of the Festival. FEATURE FILMS Golden Dhow Maargam Directed by Rajiv Vijay India, 2003, 108

Madame Brouette: A Film by Moussa Sene Absa

I’ve always been very attracted to films made in Senegal, probably because I have been there, exploring Dakar’s neighborhoods. I have sat with women around the dancing circle in Medina.

Be Kunko

Shot in video, in the style of a news report, Be Kunko begins with the arrival of refugees in a UN camp. But very quickly, the narrative becomes more fictional

ZIFF: Integrating the Region through Art and Culture

From its humble beginnings in 1998, the Zanzibar International Film Festival of the Dhow Countries (ZIFF) has grown in leaps and bounds to be a grand and momentous event for arts

9th National Traveling Series

From Russia, With Love

My interest in African cinema began when I was a student of film history at the VGIK film school in Moscow. Films by a number of great African filmmakers including

2004 Festival

Universal Refugees

Oliver Barlet: The film is insisting on the fact that the UN-managed refugee camp remains a no-go area, inaccessible to the police where juvenile delinquents cannot be caught. Cheick Fantamady

Through African Eyes: Dialogues with the Director Abderrahmane Sissako

If I try to explain the decision I made one day to become a filmmaker, I must go back to that period in my life where I felt at a

Diaries from an African Film Addict

Hi, my name is Rumbidzai Bwerinofa, and I am an African film addict. How big an addict? Well, I live in Brooklyn, I am one of the laziest folks you

8th National Traveling Series

Immediate Experience: About The Panelists of The African Film Festival

The broad issues of production, marketing, international distribution, and the urgency and objectives of Black representation in the media find definition in the professional and personal experiences of the panelists.