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6th National Traveling Series

“Shaking Up The Box: A Decade of ITVS”

This year’s presentation by The Independent Television Service (ITVS) included a series called Women’s Tales from Modern Africa. Produced by Simon Bright (A Winstar Cinema Release of a Zimmedia Production,

Review of “Faat Kine”

Like Borom Sarret, Black Girl, The Money Order, and Xala, Ousmane Sembene’s latest release is another chapter in the writer-director’s laser-sharp commentary of post-independence in Senegal. Faat Kine brings the

Video Awudjo!

By devoting a festival to popular African video films, the NYAFF is moving in a new direction. Larkin samples two of our selections and reviews the surrounding controversy. Introduction |

Reflections on FESPACO 2001

Every two years for the last thirty two years, Ouagadougou, Burkina Faso becomes for one special week, the capital of African cinema when it plays host to FESPACO, The Festival

2001 Statement

The seventh installment of the New York African Film Festival is proud to present a groundbreaking program of video films from Nigeria and Ghana, entitled “Video Awudjo!” (Yoruba for stew).

FESPACO 17: “Cinema and New Technology” Program

The cinema sector and, more generally, the audiovisual must almost permanently be reorganizing its modes and means of production because of the fast and outstanding progress in information, image and

AFF Joins Friends of Liberty Hall and The Bob Marley Foundation

The New York African Film Festival’s 5th Annual African Mini “Video” Film Festival, on December 2, 2000, was held again, at the Bob Marley Theatre in association with a newly

Pan African Film Festival II

SCREENINGS Ten films, including features and documentaries and eleven videos were screened during the course of the festival. This year’s festival selection highlighted works from Portuguese-speaking African countries and works

The Orbit of “Planet Africa”

This year’s program is an electric mix of twelve features and seven short films from seventeen different countries, with eight features making their world or North American premieres. “Planet Africa”

The Poesis of Mimesis in Les Maîtres Fous

Notes for the Cultural Historian of Film An act of social historiography which addresses cinema aims to calculate the importance of films within a world larger than film. Since the

Something Ventured

15 July 2000 I was on my way home via the A train to Brooklyn feeling kind of drained. Maybe it was from the good cry I had had at

5th National Traveling Series

Lumumba: Death of a Prophet, Life of the Image

Through the starkness of Peck’s iconic choices and the poetic character of the voiceover, we are moved to a certain comprehension of the incommensurable. Raoul Peck occupies a liminal space

2000 Statement

As we begin the twenty-first century, we are witnessing a great revolution in media and communication capabilities that is drastically reducing the distances between cultures. Images, sounds, and ideas are

4th National Traveling Series

1999 Statement

For half a century, African nations have constructed modern identities from traditional and colonial experiences. For half a decade, The New York African Film Festival has bridged the divide between

Ramadan Suleman’s “Fools”

In the last decade, anti-apartheid films with South Africa as a backdrop, have generally been English language, Hollywood productions, with white protagonists, often played by big-name Hollywood actors. The narrative

3rd National Traveling Series

1998 Statement

Since 1993, the New York African Film Festival has been the most effective means of placing Africa in the heart and imagination of a broadly defined public. The cinema cultivates

New Wave / Old Wave

African cinema has been around for forty years now. Most of the early films were either idealized portraits of a pre-colonial Africa, anti-colonial political tracts, or transitional stories about the

1996 Statement

In April 1993 the Film Society of Lincoln Center, the African Film Festival, Inc., and The Brooklyn Museum presented Modern Days, Ancient Nights: 30 Years of African Filmmaking, a comprehensive

No Longer Invisible: Afro-Latin Americans Today

It is self-evident that specific historical, cultural, socio-economic and political conjunctions result in the emergence of different race relations patterns in the Americas. Brazil and the Caribbean countries, for example,

1994 Statement

Following on the success of last year’s “Modern Days, Ancient Nights: Thirty Years of African Filmmaking” — the largest celebration of African cinema ever held in New York — the

1993 Statement

“Modern Days, Ancient Nights” celebrates thirty years of filmmaking by African filmmakers – a period begun with the release of Ousmane Sembène’s extraordinary, ground-breaking short film Borom Sarret. Of course, other Africans had already made films, both in Europe and in Africa,