Senegal / 1973 / 85mins / Drama / Wolof and French

Mory and his girlfriend, Anta, are African cousins of the outlaw couples in “Bonnie and Clyde” and “Pierrot le Fou” when their desperate search for money to immigrate to France takes them on a picturesque journey through Dakar. With a stunning mix of the surreal and the naturalistic, Djibril Diop Mambéty paints a vivid, fractured portrait of Senegal in the early 1970s. In this fantasy-drama, two young lovers long to leave Dakar for the glamor and comforts of France, but their escape plan is beset by complications both concrete and mystical. Characterized by dazzling imagery and music, the alternately manic and meditative Touki Bouki is widely considered one of the most important African films ever made.

Djibril Diop Mambéty

The son of a Muslim cleric and member of the Lebou tribe, Senegalese film pioneer Djibril Diop Mambéty was born near Senegal’s capital city of Dakar in Colobane, a town featured prominently in some of his films. Mambéty’s interest in cinema began with theater. Having graduated from acting school in Senegal, Mambéty worked as a stage actor at the Daniel Sorano National Theater in Dakar until he was expelled for disciplinary reasons. In 1969, at age 24, without any formal training in filmmaking, Mambéty directed and produced the short film, Contras’ City. The following year Mambéty made Badou Boy, which won the Silver Tanit award at the 1970 Carthage Film Festival in Tunisia. Mambéty’s technically sophisticated and richly symbolic first feature-length film, Touki Bouki (1973), received the International Critics Award at Cannes Film Festival and won the Special Jury Award at the Moscow Film Festival, bringing the Senegalese director international attention and acclaim. Despite the film’s success, twenty years passed before Mambéty made another feature film. During this hiatus he made one short film in 1989, Parlons grand-mère. Hyenas (1992), Mambéty’s second and final feature film, was an adaptation of Friedrich Dürrenmatt’s play The Visit and was conceptualized as a continuation of Touki Bouki. At the time of his death, the film director had been working on a trilogy of short films called Contes des Petites Gens (Tales of the Little People). The first of the three films was Le Franc (1994). Mambéty had also been editing the second film of that series, The Little Girl Who Sold the Sun, which premiered posthumously in 1999. His early death to lung cancer, at age 53, occurred in a Paris hospital. Learn More