UK / 1991 / 23mins / Drama / English

This bold, stunning exploration of a white mother who undergoes a radical mastectomy and her Black daughter who embarks on a modeling career reveals the profound effects of body image and the strain of racial and sexual identity on their charged, intensely loving bond. At the heart of Onwurah's brave excursion into her mother's scorned sexuality is a provocative interweaving of memory and fantasy. The filmmaker delves into the depths of maternal strength and daughterly devotion in an unforgettable tribute starring her real-life mother, Madge Onwurah.

Ngozi Onwurah

Ngozi Onwurah was born in 1966 in Nigeria to a Nigerian father, and a white British mother, Madge Onwurah. As a child, Onwurah’s mother was forced to flee with her children from Nigeria in order to escape a Civil War. They fled to England, where Ngozi and her brother Simon spent the majority of their childhood. During their youth, they endured much racial discrimination, which influenced many of her films. Onwurah, studied at St. Martin’s School of Art and the National Film and Television School. She has been directing her own films since 1988, starting with Coffee Colored Children and Best Wishes. She has also written several of the films she directs, including Hang Time. She has directed a number of challenging short films, often foregrounding issues important to black women. Her first feature film, Welcome II the Terrordome, won first prize at the Birmingham International Film Festival, the Cologne Film Festival and the Audience Prize at the Verona Film Festival. Her most recent film, Shoot the Messenger, was produced in 2006. Onwurah’s films have won prizes at the Berlin Film Festival, Germany; Melbourne Film Festival, Australia; Toronto Film Festival, Canada; and at NBPC, USA. Learn More