(Interview excerpts)

Henri Duparc, a pioneer among Ivorian filmmakers, is an iconic figure in African cinema. His work primarily focuses on comedies that explore societal issues in the context of modern Africa. Through his films, Duparc captures the spirit of contemporary Africa—its hopes, contradictions, and the ingenuity of its people, all with a touch of humor. Social satire is his preferred cinematic language, with recurring themes of women and family woven throughout his stories.

“Discussions about African cinema often revolve around one central question: how do we capture audiences’ imagination, leveraging the power of cinema to inspire creativity? We must strive to create films that not only reflect the modern realities of African societies but also embrace national cultures as they seek to break free from the constraints of stagnant traditions. By moving beyond the dominant ‘ethnographic’ or ‘social’ narratives, African cinema can use storytelling and fiction to gain international distribution and recognition.”

Humor plays a central role in Duparc’s films, inviting audiences to laugh at themselves without feeling judged or dismissed.

“Social satire allows my work to resonate with diverse audiences, ensuring that its symbolism is accessible to everyone.”

Duparc emphasizes creative freedom and originality in his work, rejecting any political influence or the imitation of American or European styles.

“I am a free man. I make the films I want to make. My aim is not to replicate Western cinema but to craft films that are uniquely African—authentic, distinctive, and free from stereotypes that reduce Africans to mysticism or fetishism. African films must be marketable and widely consumed, proving that there are no superior or inferior cultures—only intelligent human beings shaped by geography and history, which in turn enrich culture.”

Women hold a central place in Duparc’s films, reflecting his belief in their pivotal role in African society.

“Women are the core of my films because they are the foundation of the world. I have long been convinced that women are the driving force of progress in Africa. In my films, women are always portrayed as the beautiful essence of African womanhood. It is through women that change must begin, with men supporting and amplifying their efforts. While my male characters might be caricatures, my female characters are strong, dignified, and inspiring.”

For Duparc, family is the cornerstone of society, with women as its central pillar.

“In our society, everything revolves around family, and women are its backbone. From mothers to grandmothers and sisters, they shape the upbringing of children and guide the education of men.”

“Our lives revolve around women. We are all first nurtured by mothers, influenced by sisters, and later cared for by partners—shaping our sensitivities and perspectives. I’ve always wanted to highlight the essential role women play in life, a role often overlooked due to familiarity. In couples, I believe most initiatives come from women, while men are often more passive. That dynamic is central to the female characters in my films.”

Interview excerpts courtesy of Fondation Henri Duparc, translated by AFF.